download the mp3 here
On this episode of word balloon we talk comics and television with writer/producer Jesse Alexander. Jesse wrote last month's one shot story Shotgun Opera. an untold WW2 adventure of Sgt. Fury and His Howling Commandos. but the summer television season has begun and cable television reminds us that there's an equal amount of quality dramas this time of year as during the fall and spring.
Networks like FX the SciFi channel TNT ABC Family and USA trot out plenty of genre fiction, while the big 5 TV networks struggle to find the next Lost, or Smallville. Fringe made it to season 2. Reaper didn't make it past 2, neither did the Terminator. edged out by Joss Whedon's Dollhouse, it's own future to be determined this fall. Chuck and Heroes
are also returning, but on the bubble for NBC.
There are few guarantees from over the air networks to drama shows. The potential viewing audience is still larger than the basic cable shows and the budgets are higher, but the network suits patience to grow a loyal and profitable audience is a risky guess.
Alexander is a verteran show runner and producer from 3 recent genre shows that made it past the sophmore slump. Alias Lost and Heroes. Jesse was let go from Heroes by NBC execs last winter, but a new regime at The Peacock has given him a green light for a new sci-fi series he's created coming in early 2010, Day One.
Some of the show's details are still under wraps,but Jesse gives us an idea of what the show is about, and discusses the chalenges of doing genre fiction in today's network television enviroment.
On this episode of word balloon we talk comics and television with writer/producer Jesse Alexander. Jesse wrote last month's one shot story Shotgun Opera. an untold WW2 adventure of Sgt. Fury and His Howling Commandos. but the summer television season has begun and cable television reminds us that there's an equal amount of quality dramas this time of year as during the fall and spring.
Networks like FX the SciFi channel TNT ABC Family and USA trot out plenty of genre fiction, while the big 5 TV networks struggle to find the next Lost, or Smallville. Fringe made it to season 2. Reaper didn't make it past 2, neither did the Terminator. edged out by Joss Whedon's Dollhouse, it's own future to be determined this fall. Chuck and Heroes
are also returning, but on the bubble for NBC.
There are few guarantees from over the air networks to drama shows. The potential viewing audience is still larger than the basic cable shows and the budgets are higher, but the network suits patience to grow a loyal and profitable audience is a risky guess.
Alexander is a verteran show runner and producer from 3 recent genre shows that made it past the sophomore slump. Alias Lost and Heroes. Jesse was let go from Heroes by NBC execs last winter, but a new regime at The Peacock has given him a green light for a new sci-fi series he's created coming in early 2010, Day One.
Some of the show's details are still under wraps,but Jesse gives us an idea of what the show is about, and discusses the challenges of doing genre fiction in today's network television enviroment.
Tuesday, June 16, 2009
Jesse Alexander On NBC's Day One & Sgt Fury
download the mp3 here
On this episode of word balloon we talk comics and television with writer/producer Jesse Alexander. Jesse wrote last month's one shot story Shotgun Opera. an untold WW2 adventure of Sgt. Fury and His Howling Commandos. but the summer television season has begun and cable television reminds us that there's an equal amount of quality dramas this time of year as during the fall and spring.
Networks like FX the SciFi channel TNT ABC Family and USA trot out plenty of genre fiction, while the big 5 TV networks struggle to find the next Lost, or Smallville. Fringe made it to season 2. Reaper didn't make it past 2, neither did the Terminator. edged out by Joss Whedon's Dollhouse, it's own future to be determined this fall. Chuck and Heroes
are also returning, but on the bubble for NBC.
There are few guarantees from over the air networks to drama shows. The potential viewing audience is still larger than the basic cable shows and the budgets are higher, but the network suits patience to grow a loyal and profitable audience is a risky guess.
Alexander is a verteran show runner and producer from 3 recent genre shows that made it past the sophmore slump. Alias Lost and Heroes. Jesse was let go from Heroes by NBC execs last winter, but a new regime at The Peacock has given him a green light for a new sci-fi series he's created coming in early 2010, Day One.
Some of the show's details are still under wraps,but Jesse gives us an idea of what the show is about, and discusses the chalenges of doing genre fiction in today's network television enviroment.
On this episode of word balloon we talk comics and television with writer/producer Jesse Alexander. Jesse wrote last month's one shot story Shotgun Opera. an untold WW2 adventure of Sgt. Fury and His Howling Commandos. but the summer television season has begun and cable television reminds us that there's an equal amount of quality dramas this time of year as during the fall and spring.
Networks like FX the SciFi channel TNT ABC Family and USA trot out plenty of genre fiction, while the big 5 TV networks struggle to find the next Lost, or Smallville. Fringe made it to season 2. Reaper didn't make it past 2, neither did the Terminator. edged out by Joss Whedon's Dollhouse, it's own future to be determined this fall. Chuck and Heroes
are also returning, but on the bubble for NBC.
There are few guarantees from over the air networks to drama shows. The potential viewing audience is still larger than the basic cable shows and the budgets are higher, but the network suits patience to grow a loyal and profitable audience is a risky guess.
Alexander is a verteran show runner and producer from 3 recent genre shows that made it past the sophomore slump. Alias Lost and Heroes. Jesse was let go from Heroes by NBC execs last winter, but a new regime at The Peacock has given him a green light for a new sci-fi series he's created coming in early 2010, Day One.
Some of the show's details are still under wraps,but Jesse gives us an idea of what the show is about, and discusses the challenges of doing genre fiction in today's network television enviroment.
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